Color Palettes
![](http://siriusskiesastro.com/cdn/shop/files/Messier_8_SHO-RGB_A2_SKU_M8_1022_A2.jpg?v=1681211734&width=1500)
Hubble Palette
No prizes for guessing where this originated! This color palette refers to a color mapping technique made famous by the narrowband images from the Hubble space telescope. With this technique, individual narrowband images from emission nebulas are assigned to a color channel (Red, Green and Blue) so that each color can represent an element. In this case, sulfur [SII] is mapped red, hydrogen (H-alpha) to green, and oxygen [OIII] to blue. The result is a false color image that represents the distribution of each said element in the nebula.
However, there is a lot of “artistic freedom” when it comes to processing such images as the “raw look” that results when applying [SII], H-alpha, and [OIII] to red, green, and blue respectively tends to be unappealing; mostly due to the prominence of H-alpha that makes the image look intensely green! In my case, I like to refine the palette to give [SII] a yellow/gold, H-alpha a red/orange, and [OIII] a cyan/blue.
![](http://siriusskiesastro.com/cdn/shop/files/NGC1360_SHO-RGB_A2_SKU_NGC1360_1222_A2.jpg?v=1681211819&width=1500)
Bicolor
The basic technique here is similar to the Hubble palette
described above except that only two narrowband images, not three, are used to create a false color image. Most frequently the two channels are hydrogen (H-alpha) and oxygen [OIII] but could be any two. Because a color image must have three channels (RGB), one of the narrowband images is assigned to two channels. Most astrophotographers assign H-alpha to red and [OIII] to green and blue but I prefer to assign H-alpha to red and green and [OIII] to blue. I obtain results I find are more pleasing that way.
![](http://siriusskiesastro.com/cdn/shop/files/SKU_NGC253_1022_A2_NGC253_LRGB_A2.jpg?v=1681211878&width=1500)
LRGB
This is a technique specific to monochrome cameras that utilizes a four-filter approach to producing a true color image by combining a high-quality monochrome image (“L” or luminosity) (taken through a colorless filter) with a color image (RGB) (obtained by combining images taken through a red, green, and blue filter). The result is an image with greater detail and less noise than if only three filters, RGB, were used.
![](http://siriusskiesastro.com/cdn/shop/files/Gum_15_HaRGB_A2_02-22_SKU_G15_0222_A2.jpg?v=1657367072&width=1500)
HαRGB
This is my favorite method for creating true color images of emission nebulas. The process is closely related to LRGB (see above) but the key difference is that a H-alpha image is used for luminosity and RGB for color. The result is a true color image but with the superior details and contrast of narrowband.